AJFF In Conversation is all about discussion and dialogue about, what else, Jewish film. When we're not watching great movies, we're talking about them, how they make us feel, what they prompt us to think, and which ones we love the most. These programs are a way to bring the community together in that discussion, and hopefully expand our knowledge and appreciation for the world of cinema. AJFF In Conversation programs include:
AJFF In Conversation: The Podcast
In this bi-weekly podcast series, the voices of the Atlanta Jewish Film Festival engage listeners in an entertaining, illuminating and stimulating discussion around a variety of themes and topics rooted in Jewish cinema. Hosted by AJFF’s Sara Glassberg and Brad Pilcher, each episode will feature a special guest, and showcase exemplary films, from past AJFF favorites, to hidden gems, new releases and classics.
The Latest Episode:
 |
July 1, 2021 Welcome Back, Playback! Returning on July 12, Playback will feature eight films around the theme of "reunion", and tickets have just gone on sale. So join Sara as she chats with AJFF Film Programming Manager Shellie Schmals, and learn even more about AJFF's own version of March Madness... in... July. |
Find past episodes of the AJFF In Conversation Podcast here.
AJFF In Conversation: The Webinar
Made possible by the generous support of the Helen Marie Stern Fund
In this monthly webinar series, take a deep dive into a spotlight work of Jewish cinema, and come face-to-face with filmmakers, actors, journalists, academics and industry leaders in a virtual post-film Q&A discussion. Audiences are invited to view the selected film via on demand streaming service or other platform, and then join the webinar for an in-depth talkback with film artists and other experts.
The Latest Webinar:
 |
November 9, 2020 The Secrets We Keep with Yuval Adler Watch director Yuval Adler's new release The Secrets We Keep—costarring Chris Messina and Amy Seimetz, Noomi Rapace and Joel Kinnaman—and then join our live webinar with him, moderated by film critic Jason Evans. |